An Upset Transsexual writes about the difference between Therapy and Theatre: A trans-view of “My Pregnant Brother”

It was with skeptical hopefulness that I went to see Johanna Nutter’s one woman autobiographical show entitled “My Pregnant Brother”, presented in the excellent SummerWorks Theatre Festival in Toronto. The show had won several awards and this made me even more curious to see what audiences who I’ll bet are mostly cisgendered (meaning – not trans) are consuming about trans stories.

For 60 minutes, I wavered backwards and forwards between some appreciation of Johanna as an individual and growing increasingly irate at the painful barrage of transphobia and uncontextualised trans stereotypes. I valued her basic acceptance of her brother because unfortunately a lot of trans people don’t have supportive families. I cringed through the continuous hurtful jokes which could only have been pulled off by a trans person or if the rest of the show been more politically responsible and accountable to trans communities. I was horrified at overt and hurtful transphobic comments. I felt alienated by an audience of seemingly mostly non-trans people who were laughing at the jokes. I tried to be as small as possible during the applause so that no-one would notice I wasn’t clapping very enthusiastically, because I didn’t want to be the overly-sensitive//angry//party-pooping transsexual. But the fact is, I am.  And for good reasons.

I believe the audience was lured into thinking the jokes were acceptable and taking the content at face value because of Johanna’s great stage presence, her “bare all” style honestly and the way she positioned herself as a trans ally in contrast to their overtly transphobic mother. It is complex, because Johanna has seemingly done a decent job in some aspects of her personal relationship with her brother. This however, does not translate to a doing a decent job of presenting a trans story in a public realm. I don’t want to demonise Johanna. I know how painful it can be to have your work publicly reviewed and criticised, especially when it’s about your own life. I have made plenty of political mistakes in my work and I am deeply grateful for the people who have held me accountable.

As someone who makes partially autobiographical performance, I have often come up against the fact that “authenticity” of personal story and presenting work that is politically responsible is not always an easy fit. This is where we, as theatre makers and storytellers, need to remember that we can go to therapy. We can seek help from our family, friends and support groups. It doesn’t all have to go on a stage. I’d suggest that key parts of ‘My Pregnant Brother’ belong in therapy rooms and at trans family member support groups. Or alternatively, that Johanna’s story and the lens through which she is telling her brother’s story, be contextualized more politically responsibly. Particularly given the artistic medium (the show was narration/ storytelling with occasional characterisation), it would be easy to add direct comments which contextualise the piece and address stereotypes and misunderstandings which trans communities have been fighting against.

Let me be more explicit with some examples. Her pregnant brother had specifically said that he wanted his baby to get to “choose” their own gender when they were old enough and therefore he didn’t want others to impose a gender identity. Johanna was at the birth and out popped the baby, to the standard doctor’s comment “it’s a girl!” Johanna’s delighted awe-struck reaction was “ooh, it’s a girl”, followed by a realisation that she was gendering the baby against her brother’s wishes as she turns to her brother with “oh sorry”. The audience laughed. The moment was crafted to be funny. I get that it is very difficult to unlearn gendering babies. However, to intentionally craft a humorous moment out of disrespecting her brother’s wishes, was one of the many examples where a joke delivered by a cisgendered person was too painful for me to laugh at. Apparently, the rest of the mostly-cisgendered audience didn’t feel that same pain. So I can only conclude that the joke was at  the expense of trans people. Not cool.

When the baby was born by C-section, while her brother was in recovery, Johanna told of how she was nursing her “niece” and whispering something like “ooh you’re so beautiful. I wonder if my credit card would have enough on it to get us to Mexico. We could just take off, disappear, just you and me. A baby needs a mother, not a…. question mark. Doesn’t it? Just you and me.” We later heard that she had been wanting a baby but was unable to conceive. Were we supposed to draw our own conclusions that she was being 1. Grossly transphobic in not even being able to call her brother a dad (she’d quoted him earlier “I guess I’m gonna be a pregnant dude and then a dad”) and in questioning whether a baby’s needs could be met by a trans person and 2. fucked up by considering abducting her brother’s baby? In no way did she craft the rest of the show to gently guide us towards those conclusions – which is obvious for many trans people, but I believe would have served only to fuel transphobic sentiments from uneducated cisgendered audience members. This is damaging and irresponsible. I may been prepared to sit through the transphobia of “a baby needs a mother, not a…. question mark” if she had more explicitly referenced her own transphobia as a stage on the way to trans-positivity, to model this process for other cisgendered audience members. However, it’s important to note that I don’t have kids – my heart went out to trans parents and the kids of trans people, this must have been unbearably painful for them.

In fact, she went on to present how irresponsible a dad her brother was, which is obviously horrible for the baby, just like it would be horrible if a non-trans parent was irresponsible. Given that most audience members would know nothing about great examples of trans parenting, I could understand the audience concluding that trans people shouldn’t be parents, and yes a baby needs a mother. Furthermore, I’m gonna bet the audience is left thinking a baby needs a mother like the cisgendered woman sweetly cooing the baby we see on stage. I don’t actually think this is what Johanna was trying to say. As I said, she seemed accepting of her brother, at least on a trans 101 level, and I’m willing to extend a generous interpretation that she is supportive of trans parents in general, but that her brother, like many non-trans parents, found himself unable to cope with an unplanned baby. I don’t trust that many of the other audience members, steeped in a transphobic and cis-sexist context, would have the experiences with amazing trans-parents in their community to counteract the one story they may ever have heard about trans parenting. Once again, the problem is not the telling of this story, it’s the lack of context.

Another example. Johanna tells a story about how her brother was in a relationship with a woman when he first came out as trans. His girlfriend “stayed with him for years” through his transition including him taking hormones and having chest surgery. Firstly, the choice of language “stayed with him” implied that she was some sort a saint for staying with such a freak. Ouch! After they broke up, her brother moved to Portland and fell in love with a man, which apparently sparked a deep gender confusion, “he wondered if he’d made a big mistake”.  After the relationship with his boyfriend ended and he came back to Montreal, Johanna says he was “heart-broken and more confused than ever”. From this, I find it difficult to believe that Johanna could have had much contact with trans communities outside of her experiences with her brother. If she had, she would understand the irritation and hurt caused to many trans people by the suggestion that we are “confused”.

I’m not saying what she said about her brother being confused in that instance is not true, just that it needs context. The difference between gender and sexuality is often very confusing to cisgendered (non trans) people and as such, it’s a topic that needs to be dealt with with care. Put in a very crude way, gender is about whether you identify YOURSELF as being female, male, genderqueer etc, regardless of what body parts you have. Sexuality is about who are attracted to. So, for example, a trans person may identify their gender as male (in contrast to their culture telling them they are female) and their sexuality as gay (if they sleep with men – cisgendered or trans) or straight, queer, asexual etc. To get a little more into advanced concepts, yes, sometimes people’s gender and sexuality bounce off each other, for example, some people’s genders are fluid. Sometimes a woman may feel kind of boy-ish when they’re having sex with a particular partner. Sometimes a trans-man might feel gay with one partner and queer with another. The fact that her brother was feeling confusion may have been a sign of gender fluidity or it may have been internalised trans-phobia and/or lack of role models. Trans people are not immune to a world that hates on and misunderstands us.  Frequently we internalise all sorts of shitty messages about ourselves. I grew up with neither trans role models nor queer role models, so no wonder I initially felt a bunch of confusion about the difference between my gender and sexual identity. Now, through exposure to amazing, resilient, smart and diverse trans communities, I feel solid on my identity and it’s incredibly invalidating when people reinforce stereotypes of trans people as “confused” without providing context.

In fact, let’s take a quick look at who is really confused. Why have people been constantly mis-gendering me from the day I was born? Why did the doctor say “it’s a girl?” Considering I’m not a girl, I can tell you who was confused. It’s not my fault that my transphobic culture couldn’t see me as a boy. And considering I grew up within this very confused culture, it’s no wonder it took me 30 years to become un-confused. Now, I’m in the position of continuously educating my very confused cisgendered community and shows like My Pregnant Brother do a massive disservice to the hard work of trans communities.

On a practical level, this explanation of gender, sexuality and issues about confusion may be too lengthy to include in a show. A simple shorter version could be something like “he wondered if he’d made a mistake. We now know that trans people can be gay, straight, queer or whatever, but at the time, he spiraled into uncertainty without any role models around him” (or something more artistically put).

I did an internet search and couldn’t find any reviews of the show by people who I knew were trans (although of course, we can’t always tell who is and isn’t trans). All I found were a bunch of glowing reviews, which I’m going to bet were mostly from cisgendered people. Trans perspectives have been marginalised even in the critiquing/reviewing of the show. Offline however, I’ve spoken with a number of trans friends who saw the show and who were similarly irate and upset. Maybe some trans people just went home swearing under their breath and chalking it up to another day dealing with transphobia.

I’d like to also name the sexism that Johanna has to deal with in her life, including it sounds like her brother has a bunch of sexist behaviour. She talks about her brother’s expectations and demands of her care-taking of him and the baby. I’m super sorry to hear that. She’s not alone in dealing with trans-men’s sexism.  My critique of the way Johanna has represented a trans narrative does not mean I’m not appreciative of her journey in learning to draw boundaries in a sexist world. This is very important. I feel very strongly about trans men challenging each other to be more feminist. There’s some suggestions about trans men challenging sexism in another article on this blog entitled “Femme Ally Conversation Starter”.

This does not excuse Johanna from the harmful treatment of his trans story. I believe that given the way Johanna is benefiting from her brother’s trans story, she has a responsibility to do the research and figure out this political context. Even though the story is clearly from her lens including being about her journey in giving up her family care-taking role, the fact that she called it “My Pregnant Brother” and not “The Day I Stopped Being My Brother’s Mum” is leveraging interest primarily from her brother’s story. This comes with a responsibility not just to her brother, but to trans movements. This responsibility is even more pertinent given the lack of trans stories told in the theatre, newspapers and popular media. It’s likely that many audience members may have never seen a theatre show about trans people, like EVER. This doesn’t mean Johanna should try and tell every angle of every story about every trans person ever. What it means is that she has a responsibility to properly contextualise the one story she is telling.

Concretely, what this could look like is the playwright doing a lot of research of articles, books and shows created BY trans people about trans people. Collaborating with trans people in the dramaturgy and creative development process. And I’m not talking about consulting with one or two token “friendly” trans people who are disconnected from trans movements. Paying trans consultants and being involved with trans community and making sure the support is reciprocal and built on relationships, rather than a one sided sucking of information and education.

Alternatively, I hope Johanna can find some private therapy that is not at the expense of trans communities, particularly not at the expense of trans families.

Some other popular blog articles:

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11 thoughts on “An Upset Transsexual writes about the difference between Therapy and Theatre: A trans-view of “My Pregnant Brother”

  1. hey Sunny, My sister and I have made a play addressing all the cis-centric and trans-ignorant parts of her play, well as much as we could fit into 60 minutes. It has been doing quite well and hopefully you can see it one day soon. Its called my playwright sister. We just went to see your show at Dawson together and it was a great experience.Congrats on the show and thanks for sparking ours.

    • I hope I get to see it one day! Congrats to the 2 of you for making “My Playwright Sister” happen – I imagine that must have been challenging for both of you. And thanks for your sweet feedback about my show at Dawson! Warmly, Sunny

  2. thanks alot,You are super!
    I forgot to mention:
    http://www.johannanutter.com/ is where i found the link to your site.I thought I should let you know that its being used by her in her blog now and you are being mentioned.All because i blurted a status update saying :” I told my sister i dont like her play,but I love her too much to ask her to stop.”

  3. Thank your for writing this.The play continues because I love my sister but it was a play born of lack of communication.I never asked my sister for money,i was alone since age 12,i was not confused by dating men,probably because they where queer men,plus I was never a lesbian,my manfriend i mad the baby with had dark eyes i thought he might be mixed like me not blue,we didnt get drunk and fuck from beer she gave us,i dont fuck and drink.he didnt squeegee.my sister was violent to me when i first came out ,cornering me in a room saying you think your tough?im tough?yadayada yada.she made me say i was ‘she’ when meeting her boyfriends parents at christmas it was unbearable and confusing as i was “male appearing’ to most at the time,my mother and i never felt good enough for her as she fit into soceity better.that made her feel like a caretaker and when i told friends she was like a mother to me i said it in an earnest way beleiving that i was respecting her,she never told me it was bothering her.there are many inacuracies and sensationalisms in the play and i thank you for not staying silent as i have until recently.It has driven us further apart and im just hoping it stops touring eventually.as a film maker i want to do a project around this so i can get my side out there too.as a parent i would never want my kid to see this story so even though its the last type of work i want to do i think im going to tackle it,im still just abit traumatized by seeing the play.thanks again for saying things that where on my mind.i didnt get through it yet but i guess it says something about my sexism so i will definately have to finish reading it but i just got inspired to reply half way through this blog.thanks again _james,ps did i meet you at the tiff bell light box and comment on your fashion?

    • Hey James,

      Thanks so much for your comments! I’m so sorry you had to go through the experience of seeing the show, on top of the other shit that’s happened. That sounds awful. I hope she stops making the show, and that there’s healing between the two of you. I’d love to see anything you make about it. If there’s any way I can support you, let me know.

      Haha – yes we met at the film festival – I didn’t realise this was about you!

      Just to be clear – in terms of the sexism – I don’t know if you had some sexist behaviours or not! From the way she told the story, it seemed that way. And by the way – I’m constantly unpacking and working on my own sexism, so with any fingers pointing, there’s 3 fingers pointing back at me. If you ever want to talk with each other about how we can each be responsible for sexism, I’d be up for that.

      Sending you big love and appreciation.

  4. Pingback: “You know, you can feel several different ways about the same thing at the same time.” | a nutter show

  5. Just to contextualise a little more – I think Johanna was doing a good job of examining her own role in being the family care-giver. That’s definitely not my problem with the show. I included the bit about her brother’s sexism because I didn’t want to over-ride the very important work that Johanna and other’s are doing to assert themselves and not be squashed in a patriarchal world.

    The “he wondered if he made a mistake” was very clearly framed about his “decision” to live in his identity as male and physically transition with hormones and surgery.

    x

  6. “he wondered if he’d made a big mistake”
    So since I never saw the show I have to go on what you have said or mentioned here. When I see that I think of a few things. The person wondered if they made a mistake that caused the break up, made a mistake even trusting that person enough to move in with them etc. In fact I believe that would be many person’s train of thought since after all who hasn’t thought these things, or had friends say these things after a break up? Just as I have heard too many people utter out that phrase when pregnant and very close to giving birth. “I changed my mind, this was a mistake I want to take it back” Or was it just sexuality confusion figuring out that they like both women and men. Or maybe what this sister is sharing is how she chose to hear and understand it.

    “She talks about her brother’s expectations and demands of her care-taking of him and the baby.”
    Ok wait a minute. Where was she when these “expectations and demands” were being put on her? We don’t live in a society where any person, let alone woman, must bend to the “wants” of another. So where is her responsibility in allowing this to go on without her checking it? Of course it’s easier for her to bitch about it to others, making money while doing so, then say screw you do it yourself.

    The show to me just sounds more like some self serving whine show where she could bitch and complain and place the blame of what she has been doing onto someone else, rather than take the blame/responsibility of her own actions. And hell why not make it even better by tossing in laughter at another person’s expense so that others miss the fact that they aren’t taking responsibility for their own actions and realities.

  7. Hey Erica,

    Thanks for your comment! I appreciate your support and also your comment about sexism. From my point of view, I don’t think sexism is a quintessential quality of being MALE, i think it’s a quintessential quality of PATRIARCHY. I think it’s absolutely possible (and of course necessary) for men and masculine women (and masculine genderqueers) to be feminist, but for me, part of being feminist is acknowledging that because i live in a patriarchy, it’s impossible for me to be non-sexist 100% of the time. and for me, being feminist means being vigilant about examining my behaviour and being accountable when i mess up. when we have overthrown the patriarchy, then i will feel differently about this. i can definitely also separate out maleness and masculinity from patriarchy in the respect that i love being a man, i love my masculinity (including my effeminate masculinity) and i hate sexism. and i believe i’d actually have to be super-human in order to never ever perpetuate sexist behaviour.

    Having said all that, I’ve decided to remove that sentence from the article, because on re-reading it, i think it has the danger of coming across as “in order to be a real man, one SHOULD be sexist” and that that’s the only way to be a real man (which is actually a trap i think a lot of trans-men fall into – perpetuating more overt sexist behaviour subconsicouly to be validated as real men). I’m working really hard to create (in myself and in my community) new models of maleness and masculinity based on feminist anti-racist accountability for privilege and accountability for tackling racist patriarchy. Which of course doesn’t mean that i always get it right, hence part of my anti-racist feminist practice is evolving my accountability skills.

    Happy to keep talking more about this and thanks for engaging in the conversation!
    x

  8. Hey Sunny, I think you make great points about the responsibility of this storyteller in approaching a massively under-represented topic – that she should have considered context more thoroughly, been more responsible to the trans community she was (I assume unintentionally, as it sounds like her vision was somewhat myopic around her brother) referencing/representing and seeking input from appropriate people/sources in the show’s development.

    This comment bothered me a little though –

    “She’s not alone in dealing with trans-men’s sexism. Yes believe it or not, trans men are real men, including being sexist.”

    The way this reads suggests that being sexist is a quintessential male quality, that ‘real men’ are sexist so ‘trans’ men are sexist too. By extension, men that aren’t sexist are deviations from the norm, etc?

    In the lesbian community I see examples of women who are overtly sexist, but I don’t know anyone who would tolerate the suggestion that all women, or ‘real women’, are sexist, or that all dykes are sexist, etc. I think this comment is a little unfair on the huge proportion of men (all men, whether born into ‘male’ bodies or not) who aren’t sexist, who respect women and who don’t see sex or gender as a line on which to delineate stereotypes. They should not be considered a minority and they, and an entire generation of young men learning how to navigate a heavily gendered world, should not have communicated to them that sexism is something that is expected from men.

    I don’t actually think you meant to convey that, I just think it reads that way and wanted to point it out to you.

    Great work, though. 🙂

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